Sometimes
in sculpture, as in the example in the Capitoline Museum, her head has
rather a meagre appearance (see Bernouilli, Romische Iconographie, Stuttgart,
1882, ii. 2, taf. xxix. 6). With this we may compare the coin in the
British Museum. Illust. XXVI.
About
the time of Trajan (died 117A.D.), though the fully curled “front”
is at times retained, a tendency in the direction of plaiting begins
to take its place. Elaboration is still the prevailing “note.”
In
the case of Matidia, niece of Trajan, the roll of the “Pompadour”
is evidently in metal, and becomes part of a triple diadem entirely
covering the front of the head. Behind this diadem the hair is
gathered up and wound round the head in a stiff plait. The effect must
have been very hard and uncompromising (see Bernouilli, Rom. Icon.,
ii. 2. 34, 35). A spike or tuft of metal rises from
the front band of the diadem.
Illust. XXIX.
The
metallic circlet fitting closely round the face with the diadem is not
improbably the Roman version of the Greek lt'pv4 (ampyx), elaborated
by the Romans, and vulgarized in the process. Among the Greeks it was
a