This
simple knot is a fashion that continued to be followed concurrently
with the many extravagant modes of the Empire. Tertullian (De Cultu
Feminarum, ch.vii,) and other Fathers recommend it as suitable to
the Christian woman, and it continues in use to the present day among
young girls and persons of simple taste in all European countries.
Towards
the end of the Roman Republic the influence of Greece introduced other
varieties of hair-dressing, but at the beginning of Imperial times
simplicity was still the rule.
At
marriage, some alteration was usually made by Roman women in the
arrangement of their hair (see Marquardt, Privataltertumer der
Romer, i. 44, etc.). It was the duty of the bridegroom, as one of
the wedding ceremonies, to divide the bride's hair with the “caelibaris
hasta,” or little spear (Ov., Fasti, ii. 560),‑perhaps
with some allusion to the time when marriage was by capture, and the
bride was the spoil of the spear. It was divided into six parts (“sex
crines”), and each of these was fastened with a “vitta" at
the crown of the head (Plautus, Miles Gloriosus, iii. 1.
197, etc.).
“Vittae”
among young girls were fillets, or ribands bound once or more times
round the head, as we have seen in the case of Diana. They were
considered to be emblems of chastity, as the “snood” is, or was,
in Scotland. In Sir W. Scott's Heart of Midlothian, Effie, in
the days of her innocence, is described as having "waving
ringlets of brown hair . . . confined by a snood of blue silk."
Later in the story, when she appears in the dock, she is ordered to
" put back her hair," when it falls over her face, since
"her beautiful and abundant tresses of long fair hair, which,
according